It’s no wonder this breakthrough LP led to sonic trysts with artists as wide-ranging as Kendrick Lamar, the Chemical Brothers, and Beyoncé. Whether he’s likening coitus to ballet (“Arch & Point”) or vamping with Alicia Keys over a tumbling drum loop (“Where’s the Fun in Forever”), Miguel proves himself a thrillingly unpredictable host. And then comes “Use Me,” where, over a plush blanket of grinding guitar, he cops to being nervous in bed. The next song, “Don’t Look Back,” lays shuffling ’60s pop over throbbing electro-house as Miguel warns a partner to run before the moon turns him into a womanizing beast. But Kaleidoscope Dream is not that album-and it’s better for it.
To that last point, there’s “Adorn,” a tribute to wholehearted love that evokes Marvin Gaye’s “Sexual Healing” and shows just how sweet a Miguel album of simple, throwback R&B would be. All of which tracks for a guy who grew up idolizing artsy types like Prince, Bowie, and Hendrix, but whose voice happens to sound like crushed velvet. Though just as sex-obsessed as the smooth lovermen who came before him, Miguel here projects a far more fractured and colorful view of romance tinted by deep self-reflection, hallucinogenic augmentation, and spiritual yearning. As a result, his second album not only sounded utterly singular-a swirling, moody mix of hip-hop, rock, and psychedelic soul-but it also placed the Southern Californian singer in a vanguard of new artists redefining the idea of the male R&B star (see also Frank Ocean, the Weeknd). "The cool thing is that we have been able to connect with all these different fan bases.With fizzled record deals and forced image makeovers in his past, a frustrated Miguel Jontel Pimentel took control of his career and creativity on Kaleidoscope Dream. "As we are growing, we are learning to adapt to these different crowds," he says. Miguel will open for Alicia Keys on her Set the World on Fire tour, which kicks off March 7 in Seattle. Still, it gradually built interest and wound up selling more than 400,000 copies. By the time that was resolved, Jive was being absorbed by RCA, and the album wasn't heavily promoted. Meanwhile, his album All I Want Is You languished on the shelf for two years because of a breach of contract lawsuit filed by Black Ice.
He moved to Jive Records in 2007 and wrote songs for Usher, Asher Roth and Musiq Soulchild and got a 2011 Grammy R&B-song nomination for co-writing Jaheim's Finding My Way Back. He signed his first record deal with independent label Black Ice in 2004 and recorded an album that was never released. Miguel plays guitar and piano ("both very badly") when he's writing. He was also swayed by L.A.'s underground hip-hop. His tastes were influenced by his rock-loving Mexican father and soul-loving African-American mother. He began singing and dancing when he was 5, and by the time he was a teenager, he was writing songs and producing music. Miguel has spent most of his life working toward this point. Wale's Lotus Flower Bomb, which features Miguel, is up for rap song. But if it were to win, it would be more a win for the creative R&B that people have missed for so long that is now getting more attention, thanks to other artists" such as Frank Ocean and The Weeknd.Īdorn is also nominated for R&B song and performance Kaleidoscope Dream is up for urban contemporary album. "To even be considered for that, I was like, 'Are you sure?' Not to be a complete skeptic, but it almost seems like the token urban song. The Los Angelesbased singer/songwriter is adept at incorporating classic R&B and other styles into a. Miguel Pimentel made a splash in 2010 with his striking debut, All I Want Is You. Genres: R&B/Soul, Music, Contemporary R&B.
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"That one seemed the most unlikely," he says. Miguel - Kaleidoscope Dream (Album + LP) iTunes Plus AAC M4A Posted by: Unknown - 17:18. While he's happy about all the Grammy nominations, he says he was most surprised by the one Adorn got for song. "We are painting our reality at every juncture, with every fork in the road, our experiences and what we believe in. "Everyone has their own kaleidoscope dream, and it's made up of all of our subconscious thought patterns and sensibilities," he says. The album's title is a metaphor for life and all the choices people make.
His raw vocals echo both vintage soul crooners and rock singers. Most of the album was recorded in New York, which he says gave it an edgier vibe. The Los Angeles native co-produced the album, which has sold 289,000 copies. I didn't know how people were going to take it."
"The risk of doing that -especially in the context of what's from R&B music - was intriguing, but it made me a little nervous. "I wanted to bring in textures of my various influences and blend them in a way that mirrored my life," says Miguel (aka Miguel Jontel Pimentel), 27, via phone from the Netherlands, where he was performing in Rotterdam.
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